Showing posts with label Film Festival. Show all posts
Showing posts with label Film Festival. Show all posts
Sunday, August 26, 2018
Glamorous Venice Film Festival courts controversy
ROME -- Global superstars Lady Gaga, Ryan Gosling and Vanessa Redgrave descend on Venice this week as the annual film festival kicks off Wednesday to controversy over the inclusion of Netflix productions and there being just one female director in competition.
Some 21 features will be locking horns for the prized Golden Lion, which will be awarded on September 8 at the Palazzo del Cinema on the Venice Lido, the iconic setting for Luchino Visconti's masterpiece "Death in Venice."
The festival jury is chaired by Guillermo Del Toro, last year's winner with "The Shape of Water."
Australian Jennifer Kent is the only woman gunning for the Golden Lion this year, with "The Nightingale."
The lack of female directors was blasted by feminist associations in an open letter sent on August 11 to the festival's artistic director Alberto Barbera.
The letter was a reaction not just to the festival's male-centric selection but also to statements by Barbera, who in a recent press conference explained that he made his choices based on "the quality of the film and not the sex of the director."
"If we impose quotas, I resign," he said, defending a selection criticized as "politically incorrect," especially compared to the latest edition of Cannes, which saw a call for gender equality in cinema.
A number of films being shown in Venice have been picked up by streaming service Netflix, including the the Coen Brothers' "The Ballad of Buster Scruggs."
Starring Tim Blake Nelson, James Franco and Liam Neeson, "The Ballad of Buster Scruggs" features six tales about the Wild West narrated by Joel and Ethan Coen.
The inclusion of Netflix films and their contemporaneous release in theatres and online has drawn the wrath of Italy's two major cinema associations Anec and Anem, who feel people will stay at home rather go out to watch the movies.
"I can't see any reason why a film by (director of Golden Lion contender "Roma" Alfonso) Cuaron or the Coens should be excluded just because they're produced by Netflix," Berbera said during the press conference presenting the festival to reporters last month.
'FIRST MAN'
The star-studded festival kicks off with "First Man", the new film from the Oscar-winning director of "La La Land" Damien Chazelle.
The film, which stars Canadian Ryan Gosling, follows the life of astronaut Neil Armstrong in the years leading up to 1969, when he became the first man to walk on the moon.
However the most eagerly awaited appearance on the red carpet will undoubtedly be that of provocative pop superstar Lady Gaga, who stars in the out-of-competition "A Star is Born."
Bradley Cooper plays a hard-drinking country artist who discovers a young singer played by Gaga and is also making his directorial debut with the film.
The pair also wrote and recorded new songs for the film, the third remake of the entertainment industry romance classic.
Among the major names expected on the lagoon are Frenchman Jacques Audiard -- who this time is taking on the Western genre with "The Sisters Brothers" -- and his countryman Olivier Assayas, in competition with the comedy "Non-Fiction," starring his favorite actress Juliette Binoche.
Grand Prix winner at Cannes in 2015 and Oscar winner for best foreign film the following year with his first feature film "The Son of Saul," the Hungarian Laszlo Nemes will return to big competition with "Sunset."
Big things are also expected from "The Favourite," a period drama by Greek director Yorgos Lanthimos that plunges viewers into the court of Queen Anne at the beginning of the 18th century and stars Emma Stone and Rachel Weisz.
As every year, the festivfal will award two Golden Lions for their career to 2 film giants, in this case the 81-year-old British actress Vanessa Redgrave and Canadian director David Cronenberg.
source: news.abs-cbn.com
Thursday, May 26, 2016
Kirsten Dunst 'moved' by Jaclyn Jose's Cannes speech
MANILA - Jaclyn Jose, the first Filipina to win Best Actress at the prestigious Cannes Film Festival for her role in "Ma 'Rosa," shared a conversation she had with Kirsten Dunst, saying the Hollwood star was moved by her acceptance speech.
Jose met Dunst, a member of the jury for this year's film festival, during the closing ceremony held last May 22. Jose beat out the likes of Charlize Theron, Kristen Stewart, Isabelle Hupert and Marion Cotillard for the acting honor.
"Sabi ni Kirsten sa akin, she was touched because she thought it was a beautiful speech and that [I grabbed the hand of my daughter]," said Jose, who added that Dunst became teary-eyed during their talk.
Jose delivered her speech while accompanied by "Ma 'Rosa" director Brillante Mendoza and daughter Andi Eigenmann, who is also part of the cast of the drama film.
According to Jose, it was "instinct" that made her pull her 25-year-old daughter with the late Filipino actor Mark Gil onstage and introduce her to the audience.
"Ako naman, I go by my instinct, that's how I felt," Jose explained. "Iyon din naman ang mararamdaman nang tao, hindi naman natin puwedeng i-dictate iyan eh."
In her acceptance speech, Jose said: "I'm at a loss for words! I am so surprised and moved. Thank you from the bottom of my heart to all the jury members."
"I thank Brillante Mendoza, whose instructions I simply followed. He's a brilliant director. I am so happy you liked the film. I'd like to salute the Philippine people," she added.
source: www.abs-cbnnews.com
Tuesday, May 12, 2015
Heading to Cannes film festival? Take UberChopper
CANNES - Uber is pulling out all the stops to get noticed at the glitzy Cannes Film Festival opening Wednesday by offering not only its usual taxi-hail car service -- but also helicopter rides.
The US company, which is upending traditional taxi companies worldwide with its app-run business, is putting on the chopper runs between the nearest airport, in Nice, and Cannes.
The cost for the UberChopper service is 160 euros ($180) for a seven-minute flight, for a maximum of four people. That price includes a chauffeured car ride to the heliport and then another limo waiting at the destination to take the passengers to the centre of Cannes.
The price may seem exorbitant to ordinary mortals, but for the high-powered movers and shakers attending Cannes -- or simply the poseurs -- it beats the one-hour road journey, often jammed with traffic.
Uber is offering the sky-high option through deals with two local helicopter firms.
Last year, Uber ran into turbulence on the ground during the Cannes festival when Nice taxi drivers blocked the airport to protest the American company's disruption of their market, and against unlicenced drivers offering taxi rides generally.
French police are to conduct spot checks during the Cannes Film Festival this year to ensure any cars carrying paying passengers are abiding by the law.
source: www.abs-cbnnews.com
Tuesday, February 24, 2015
'Ekstra' lone PH film nominated at New York Festivals
MANILA – The independent film “Ekstra,” starring Vilma Santos, is the lone Filipino movie to be nominated at this year’s New York Festivals.
The movie has been nominated in the Best Feature Film category, and it will compete against Italy’s “Calcolo Infinitesimale.”
Originally an entry to the Cinemalaya Independent Film Festival in 2013, “Ekstra” marked the indie film debut of Santos.
It was also released by ABS-CBN's film production outfit, Star Cinema after it bagged several awards at the 9th Cinemalaya Independent Film Festival.
As Loida Malabanan, Santos plays a professional TV and film "extra" who opts to withstand harsh conditions to fulfill her passion.
Read our movie review of “Ekstra” here
source: www.abs-cbnnews.com
Saturday, January 31, 2015
Cancer movie wins top prize at Sundance
LOS ANGELES -- "Me and Earl and the Dying Girl," a moving drama about a teenager who befriends a classmate with cancer, won the top prize at the Sundance Film Festival Saturday.
The US documentary award, meanwhile, went to "The Wolfpack," while in the non-US categories the main prizes went to a Scottish filmmaker and a movie about Ukraine's ongoing struggle in the shadow of its former Soviet masters.
Sundance winners regularly go on to critical and awards success at Hollywood's main prize-giving ceremonies. Last year's top winner, "Whiplash," is nominated for best picture at this year's Oscars.
"Me and Earl and the Dying Girl" by Alfonso Gomez-Rejon took the Grand Jury Prize for a US drama at the end of a two-hour awards ceremony in the Utah mountain resort Park City.
The best director for US drama was named as Robert Eggers for his horror movie "The Witch."
Among US documentaries, "The Wolfpack" by Crystal Moselle took the Grand Jury Prize, while best director went to Matthew Heineman for "Cartel Land," about drug wars in Mexico.
In the world cinema categories, the Grand Jury Prize for a drama went to "Slow West" by Scottish filmmaker John Maclean, which follows a teenager on a journey across 19th century frontier America in search of the woman he loves.
"Thanks to dad for taking me to see Westerns when I was a wee boy," he said in a message to the festival.
The world documentary Grand Jury Prize was given to "The Russian Woodpecker," which takes a stab at Russian President Vladimir Putin, in a story about the revolution in Ukraine and the 1986 Chernobyl nuclear disaster.
"I don't think we can stop Russia with bombs, but I think with a little bit of art and truth maybe we can make some progress," said the movie's American director Chad Gracia.
The 2015 Sundance Film Festival opened on January 22 and officially ends on Sunday.
source: www.abs-cbnnews.com
Friday, October 17, 2014
Mikhail Red wins best new director in Vancouver
MANILA - Director Mikhail Red, 22, recently won the Best New Director award at the 33rd Vancouver International Film Festival in Canada for his film, "Rekorder".
Red bested young directors from Brazil, France, Iceland, Indonesia, Japan, Mexico, Peru, United States and Taiwan for the said award.
An entry to last year's New Breed section of the Cinemalaya Philippine Independent Film Festival, "Rekorder" tells the story of Maven, who shifts from being a professional cinematographer to a videographer.
It has garnered numerous awards and recognition from international festivals in France, Spain and South Korea.
Red is currently in the process of making his second feature film. Read our review of "Rekorder" here.
source: www.abs-cbnnews.com
Friday, August 8, 2014
Classic Pinoy movies featured in film festival in Italy
MANILA - For two nights, the Philippines was able to feature high quality films to both Filipinos and the Italian public during the 20th edition of the Isola del Cinema Film Festival.
Held early this month at the Isola Tiberina in Rome, Italy, the festival showcased "Insiang", "Sakay", "Himala", and a documentary film on Philippine Marine Biodiversity to the public for free.
Ambassador Virgilio Reyes highlighted that the Philippine film industry has an abundant talent of artists.
The ambassador likewise thanked the European audience, particularly the Italians, for their support to Filipino films and film makers.
The festival also provided an opportunity to showcase the rich, diverse and beautiful culture of the Philippines through dance, songs, and a display of modern and traditional Filipino costumes.
source: www.abs-cbnnews.com
Saturday, May 24, 2014
Best quotes from the Cannes Film Festival
CANNES - Some of the movie world's best known and most influential actors, writers and directors have been on the French Riviera for the past 10 days for the 67th Cannes Film Festival.
Here is a selection of some of the most memorable quotes from the film fest which awards its top Palme d'Or prize at a ceremony on Saturday.
-- "A fleet of ambulances may have to be stationed outside the Palais to take the tuxed audiences to hospital afterwards to have their toes uncurled under general anaesthetic"
Guardian newspaper critic Peter Bradshaw on "Grace of Monaco", Olivier Dahan's much-panned biopic starring Nicole Kidman as the former Hollywood star-turned princess Grace Kelly.
-- "I cry in the place of those who experienced this real suffering. Real courage is those who lived these moments on a daily basis. They waged a silent combat."
Abderrahmane Sissako, director of "Timbuktu", a film about the Islamist occupation of northern Mali, after he broke down in tears at a news conference.
-- "The great thing is that what made us a perfect match, apart from anything, is that he was a funny-looking fat little man and so am I... genius is not always in the most romantic of packages."
British actor Timothy Spall on playing Romantic landscape painter JMW Turner in Mike Leigh's film "Mr Turner".
-- "It is and it isn't. The film is made when you're there and so influenced by your actors, by the environment."
Elusive Canadian star Ryan Gosling's response to being asked if his directorial debut "Lost River" had ended up as he intended.
-- "Being elsewhere than here, it is not possible for me to be with you, dear comrades, on May 21, in fact it is no longer a film even though it is my best."
Jean-Luc Godard in the typically cryptic video message the 83-year-old film veteran sent festival organisers to explain his absence from the premiere of his "incomprehensible" 3D extravaganza "Goodbye to Language".
-- "The year I gave birth, there was no festival. Everyone says that it was because I wasn't there that they didn't go ahead with it."
Simone Lancelot, 97, Cannes' most faithful fan who has been to 66 of the 67 festivals held.
-- "I know that I can manage, if the part requires it, to be quite beautiful or quite ugly. I can transform myself... and that's quite an asset in the job I do."
Oscar winning French actress Marion Cotillard on her latest role as a factory worker under threat of losing her job in the Dardenne Brothers' "Two Days, One Night".
-- "We had access to absolutely nothing, not even a shirt."
Eric Altmayer, the producer of the unauthorised biopic "Saint Laurent", commenting on the cooperation the production received from fashion designer Yves Saint Laurent's romantic and business partner Pierre Berge. The film explored Saint Laurent's struggles with depression, drink and drugs.
-- "I think you would have to say that there's some inherent sexism in the industry. It does feel very undemocratic... time and time again we don't get our share of representation... men eat all the cake."
Head of the Cannes jury Jane Campion on the struggle facing women working in the movie industry.
-- "(To) hang out with people my own age... hopefully kissing them a little".
Canadian wunderkid Xavier Dolan, 25, explaining why he planned to put directing on the back burner for a while and go back to university.
-- "They like victims and they like criminals and they might like a battered wife or two. Give them someone who knows what they're talking about... and they say 'My God... you're telling us what to think here'."
Cannes' darling Ken Loach on why some critics don't like working class heroes like Jimmy Gralton, the free-spirited, jazz and blues-loving protagonist of his film "Jimmy's Hall".
-- "The duty of a film director is to focus more on the soul of the spectator."
The Turkish director of the more than three-hour-long "Winter Sleep" Nuri Bilge Ceylan after being asked to comment on political upheaval in Turkey following a coal mine disaster.
-- "We are children with arthritis."
Sylvester Stallone, 67, after he led the all-star cast of "The Expendables 3" including Arnold Schwarzenegger, Mel Gibson and Wesley Snipes into Cannes in tanks, causing chaos on the Croisette, the Cannes promenade.
-- "The knife-in-the-back wound is starting to scab, and I have calmed down on it."
Quentin Tarantino talking about how his anger has subsided since the script for his latest film project "The Hateful Eight" was leaked on the Internet.
source: www.abs-cbnnews.com
Thursday, February 27, 2014
Jake Cuenca bags nomination at NYC film fest
MANILA -- Actor Jake Cuenca bagged a best actor nomination at the 2014 Queens World Film Festival in New York for the indie movie "Nuwebe."
Cuenca is the only Filipino actor to receive a nomination in the competition, which runs from March 4-9.
Directed by Joseph Israel Laban, "Nuwebe," a Cinemalaya entry, is inspired by the actual story of one of the youngest mothers in Philippine history. Krista was just nine years old when she became pregnant. Her mother believes that she was impregnated by malevolent supernatural creatures called "nuno sa punso" but "the real story will prove to be more complicated than it seems."
Also part of the film were Barbara Miguel, Nadine Samonte, Manny Castañeda and veteran actress Anita Linda.
source: www.abs-cbnnews.com
Tuesday, April 23, 2013
Piolo-Gerald film 'OTJ' to premiere at Cannes
MANILA -- "On The Job (OTJ)," the upcoming Star Cinema action flick starring Piolo Pascual and Gerald Anderson, will hold its world premiere in May as part of a section at the prestigious Cannes International Film Festival.
The Erik Matti-directed film is one of the selections of the Quinzaine des Réalisateurs or the Directors' Fortnight, a section at Cannes held independently by the French Directors Guild.
In "OTJ," Pascual portrays a National Bureau of Investigation agent whose job puts him at odds with his wife (Shaina Magdayao). Anderson, meanwhile, takes on the role of a "hitman" on the run.
It also stars Joel Torre, Joey Marquez and Angel Aquino.
The lone Filipino movie in the section will be screened alongside 30 other films -- 21 feature films and 9 short films -- from around the world.
Now on its 45th year, the Directors' Fortnight "seeks to aid filmmakers and contribute to their discovery by the critics and audiences alike... [It] is distinguished by its independent-mindedness, its non-competitive nature and its concern to cater to non-professional Cannes audiences," according to the Cannes sidebar's official website.
Since its initial program in 1969, the Directors' Fortnight has showcased the first films of world-renowned directors like George Lucas, Chantal Akerman, Sofia Coppola, and Francis Ford Coppola.
The 45th Fortnight will start on May 16, with Israeli film director Ari Folman's "The Congress" as its opening film.
Aside from "OTJ," two other Filipino films will participate in this year's Cannes.
“Death March,” which stars Kapamilya actors Sam Milby and Zanjoe Marudo, will compete in the Un Certain Regard section of the annual film festival, along with another Filipino film, “Norte, Hangganan ng Kasaysayan” by acclaimed filmmaker Lav Diaz.
source: www.abs-cbnnews.com
Wednesday, February 15, 2012
Fukushima in spotlight at Berlin film festival
BERLIN — The Fukushima nuclear disaster has come under the spotlight at Berlin’s film festival with three films exploring its impact on Japanese society less than a year on.
The 11-day festival, which prides itself on its generally edgier and more politically-overt line-up over other film showcases, was perhaps a fitting backdrop for the documentaries.
“I’m more than happy to be here because the Berlinale has got a long history of showing all those political, socially conscious films,” Atsushi Funahashi, director of “Nuclear Nation,” told AFP.
He said that although he was sensitized to the nuclear question because his family had been affected by the 1945 allied atomic bombing of Hiroshima, he was unsure at first how to tackle Fukushima.
“First of all, I didn’t know what to do as a filmmaker, but I knew I had to do something,” he said, adding one of his motives had been the difference in data from international and Japanese officials.
He focuses on the exile of residents of Futaba, where the crippled Fukushima Daiichi nuclear plant was based, to an abandoned high school 250 kilometers away.
The story homes in on a mayor whose town no longer exists as he tries to keep the community together.
“No Man’s Zone,” by Toshi Fujiwara, journeys inside a 20-kilometer area which was evacuated after the disaster, as well as surrounding areas, to talk to “normal” people about how their lives were affected.
With slow panoramic sweeps of battered buildings by the sea, thick piles of rubble, boats lying on their side and crumpled cars, the film opens saying that images of destruction are “always difficult to digest.”
It intersperses lingering shots of cherry blossom trees in the spring, cattle and green landscapes with frank conversations with farmers and fishermen who have lost their livelihood.
An older couple talk openly and animatedly about how they want to keep their damaged home despite the cost of repairing it and their experiences of having to stay in a refuge.
“I had a very strange feeling that the people who were directly concerned were somehow very neglected,” Fujiwara said.
Meanwhile, in “Friends After 3.11,” director Iwai Shunji discusses the political, social and economic state of the country with new “friends” that include a nuclear plant engineer, banker and journalists.
“I want to portray Japan’s present and future as told by these ‘friends,’” he said.
The disaster, triggered by the March 11 earthquake and tsunami, contaminated the environment and forced tens of thousands of residents around the Fukushima nuclear site in northeast Japan to evacuate their homes.
Many still do not know if or when they will be able to return.
source: japantoday.com
The 11-day festival, which prides itself on its generally edgier and more politically-overt line-up over other film showcases, was perhaps a fitting backdrop for the documentaries.
“I’m more than happy to be here because the Berlinale has got a long history of showing all those political, socially conscious films,” Atsushi Funahashi, director of “Nuclear Nation,” told AFP.
He said that although he was sensitized to the nuclear question because his family had been affected by the 1945 allied atomic bombing of Hiroshima, he was unsure at first how to tackle Fukushima.
“First of all, I didn’t know what to do as a filmmaker, but I knew I had to do something,” he said, adding one of his motives had been the difference in data from international and Japanese officials.
He focuses on the exile of residents of Futaba, where the crippled Fukushima Daiichi nuclear plant was based, to an abandoned high school 250 kilometers away.
The story homes in on a mayor whose town no longer exists as he tries to keep the community together.
“No Man’s Zone,” by Toshi Fujiwara, journeys inside a 20-kilometer area which was evacuated after the disaster, as well as surrounding areas, to talk to “normal” people about how their lives were affected.
With slow panoramic sweeps of battered buildings by the sea, thick piles of rubble, boats lying on their side and crumpled cars, the film opens saying that images of destruction are “always difficult to digest.”
It intersperses lingering shots of cherry blossom trees in the spring, cattle and green landscapes with frank conversations with farmers and fishermen who have lost their livelihood.
An older couple talk openly and animatedly about how they want to keep their damaged home despite the cost of repairing it and their experiences of having to stay in a refuge.
“I had a very strange feeling that the people who were directly concerned were somehow very neglected,” Fujiwara said.
Meanwhile, in “Friends After 3.11,” director Iwai Shunji discusses the political, social and economic state of the country with new “friends” that include a nuclear plant engineer, banker and journalists.
“I want to portray Japan’s present and future as told by these ‘friends,’” he said.
The disaster, triggered by the March 11 earthquake and tsunami, contaminated the environment and forced tens of thousands of residents around the Fukushima nuclear site in northeast Japan to evacuate their homes.
Many still do not know if or when they will be able to return.
source: japantoday.com
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